Bright Star

Sargent Conservatory of Theatre Arts at Webster University

This production was ultimately canceled due to COVID-19 measures. A crew of four was used to paint the floor. We got as far as the back "deck" area needing a wash, the center medallion needing to be finished, and then sealed. 

Scenic Design: Kendrick Lawson-Knight

Technical Direction: Akari Harada

Lighting Design: Jonah Schnell

Costume Design: Tyler Tippit

Wig & Makeup Design: Ansley Juan

Direction: Lara Teeter

Floor Process
Floor Process
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Floor Process
Floor Process
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Floor Process
Floor Process
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Twelfth Night

Sargent Conservatory of Theatre Arts at Webster University

As the paint charge, I led a crew of seven to execute the design of this show. Inspired by Romantic and highly textural oil paintings, the treatment consisted of scenic texture to create dimensional "brush strokes" on trees, mountainsides, and clouds. The floor treatment consisted of an ocean, sand, wood planks, and grass. A highly diverse set of skills were utilized and required training an inexperienced crew.

Scenic Design: Kendrick Lawson-Knight

Technical Direction: Trevor Hannagan

Lighting Design: Jayson Lawshee

Costume Design: Zahrah Agha

Wig & Makeup Design: Aaliyah Burton

Direction: Jason Spelbring

Photography: Philip Hamer

Twelfth Night
Twelfth Night
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Twelfth Night
Twelfth Night
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Twelfth Night
Twelfth Night
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Twelfth Night
Twelfth Night
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Twelfth Night
Twelfth Night
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Twelfth Night
Twelfth Night
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Floor Process
Floor Process
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Floor Process
Floor Process
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Floor Process
Floor Process
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Tree Leaves Process
Tree Leaves Process
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Tree Leaves Process
Tree Leaves Process
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Ground Row
Ground Row
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Ground Row
Ground Row
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Mountain Process
Mountain Process
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Tree Trunk Texture Sample
Tree Trunk Texture Sample
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Cork Floor Sample
Cork Floor Sample
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Opera Scenes

Sargent Conservatory of Theatre Arts at Webster University

This was an exciting project to work on as I was given a lot of freedom while working on the floor. There were stamps and sprays used on it to create a bright and dimensional feeling of a field of flowers with one gorgeous flower in the middle. The garden gate from Twelfth Night was repurposed and used again here, with the same wood treatment on the fence. The "flower drops" were dyed coffee filters. All backdrops were painted by and borrowed from Scott Loebl. 

Scenic Design: Jonah Schnell & Jayson Lawshee

Technical Direction: Ash Puskarich

Lighting Design: Jonah Schnell & Jayson Lawshee

Costume Design: Zahrah Agha

Wig & Makeup Design: Maggie Jean Clark

Direction: Corinne Hayes

Photography: Philip Hayes

Opera Scenes
Opera Scenes
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Opera Scenes
Opera Scenes
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Opera Scenes
Opera Scenes
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Opera Scenes
Opera Scenes
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Sealing Floor
Sealing Floor
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Floor Process
Floor Process
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Floor Process
Floor Process
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Floor Process
Floor Process
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Les Miserables

Chaminade Preparatory School

For this production, I served as the sole scenic artist. A heavily textured show with a variety of wood grain.

Scenic Design: James Wolk

Technical Direction: James Robert

Lighting Design: Jerran Kowalski

Costume Design: Megan Harshaw

Direction: Rob Grumich

Les Miserables
Les Miserables
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Les Miserables
Les Miserables
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Les Miserables
Les Miserables
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Garden Gate
Garden Gate
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Garden Gate
Garden Gate
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Garden Gate
Garden Gate
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Bishop's Exterior
Bishop's Exterior
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Bishop's Interior
Bishop's Interior
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ABC Wall Unit
ABC Wall Unit
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